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The Manta, Milk Carton People Situation

by John Tabacco

/
1.
MANTA MILK CARTON PEOPLE SITUATION In the labyrinthine corridors of temporal possibility, hidden away upon an alternate Earth, a primitive society of hearing-impaired humanoids eked out their existence. Their humble enclave nestled by what could only be likened to a lake forged from the very substance of cardboard, a realm of serene isolation, impervious to the symphony of sound that danced beyond their auditory reach. Their mode of discourse was one of fluid gesticulations, a silent ballet that wove the intricate fabric of their lives, centered around the primal pursuits of fishing, hunting, and the gathering of sustenance. Mineola, Mineola, Mineola touch me! One fateful day, a member of this unique community chanced upon an oddity while exploring the whitewashed enclosure that bordered their aquatic sanctuary. This object, sleek and gleaming, stood apart from anything they had ever encountered. In a show of curiosity, he brought it to the attention of the tribe, drawing them together in collective intrigue. Despite their auditory limitations, the most astute among them swiftly discerned the peculiar potency of this enigmatic artifact. When they aimed it at a heap of barnacles and manipulated its trigger, it unleashed a brilliant beam of light that transformed the barnacles into ephemeral dust. It was a revelation that sparked their collective inquisitiveness, and they set about experimenting with this newfound marvel, directing its luminous ray at every conceivable target, even upon themselves. Mineola, Mineola, Mineola touch me! As night descended, their fascination waned, and they carelessly cast the object into the lake—a decision that would prove disastrous. Reacting to the water, the device exploded, igniting a calamitous blaze that swiftly engulfed their village. The very ground trembled, succumbing to the inferno's fury, while the encircling wall, once a protective barrier, liquefied under the relentless heat. The ensuing deluge rushed in, leaving them with no escape. The somber tragedy culminated as the deaf humanoids succumbed to the unforgiving waters. Mineola, Mineola, Mineola touch me! Meanwhile, a vigilant lifeguard, in frantic haste, brushed aside a smoldering milk carton that had somehow clung tenaciously to the back of a gentle manta ray. Oblivious to the cosmic intricacies at play, he could not have fathomed that a troupe of deaf humanoids, in their inadvertent curiosity, had unwittingly contributed to both the demise of their community and the liberation of an old milk carton, steadfastly affixed to a youthful manta ray's crown. In the grand tapestry of existence, the ceaseless enigma of the universe unfolded, a confluence of the inexplicable and the mundane, a testament to the relentless march of the unknown. Truly, wonders never ceased to manifest, bearing witness to the complex dance of fate and circumstance. Mineola, Mineola, Mineola touch me!
2.
NOT BORED OF ELECTIONS THIS TIME As I languished in the hinterlands behind the cheap folding table, surrounded by a sea of unfamiliar faces that had all but given up on life, the whole voter registration shebang felt like an amateur audition for Waiting for Godot. Three hundred dollars for this temporal torture felt like highway robbery, and the parade of clueless citizens was like a never-ending comedy show, except nobody was laughing. The gym, once a temple of sweat and funky teenage shorts, now echoed with the symphony of bureaucratic despair. Rows of 6 by 4 desks with blinders resembled something between a bureaucratic feeding trough and a failed geometry experiment. The whole scene was colder than a polar bear's toenails. My mind meandered through the labyrinth of my own thoughts, pondering the pointlessness of this endeavor. Did these voters grasp the gravity of their civic duty, or were they mere automatons, mindlessly going through the motions of ballot casting reduced to a mechanical exercise as soul-sucking as assembling IKEA furniture. Democracy seemed diluted, reduced to a mechanical exercise devoid of substance. Perhaps some of them were paid off. Who knows? Just as I was about to throw in the towel and declare myself Mayor of Despairville, a disruption burst onto the scene. A Dominion voting machine, acting like a rebellious Roomba on steroids, coughed out a completed ballot sheet and embarked on a journey that made the Boston Tea Party look like a genteel tea social. It unplugged itself with a lightning pop, defying the laws of physics as it rolled with an eerie precision, guided by some unseen force—maybe the ghost of Grover Cleveland looking for a recount. Panic and confusion ensued, with attempts to intercept the rebel machine proving as effective as a one-legged man in a butt-kicking contest. It was a scene straight out of a dystopian novel—a sedition of the very apparatus meant to safeguard our democratic process. The gym door burst open, as the machine ventured into the hallway. Our ragtag crew followed, an assembly of citizens turned reluctant protagonists in a Kafkaesque comedy. We weaved through labyrinthine corridors, chasing this mechanical Houdini with more determination than a dog chasing its tail. As the machine approached the building's exit, it swerved past our feeble attempts to halt it. The double doors swung open, and the crisp autumn air brought with it a sense of anticipation. It was as if the machine had a date with destiny, and we were the unwilling chaperones of this absurd rendezvous. Out onto the main street, the machine gained speed like a caffeinated squirrel, heading straight for the town square. The monument of civic pride loomed, wondering why it was about to witness a machine-induced circus act. A bronze statesman inquired if this was some avant-garde performance art or just a technological temper tantrum. The town square, usually a haven of tranquility, now hosted a spectacle that rivaled a Marx Brothers routine. The rogue machine halted before the statue, and the air buzzed with absurdity. What message did this mechanical maverick have for our community? The answer floated in the crisp autumn air like a lost punchline. The machine emitted a low, sexy hum, its LED display flickering with an otherworldly glow. A sense of anticipation swirled among us, the befuddled witnesses to this bureaucratic burlesque. You could almost feel the statue contemplating this oddity with stoic confusion. Snap! Suddenly, the machine unleashed a series of rhythmic beeps, each echoing through the square like a malfunctioning Morse code translator. The crowd exchanged perplexed glances, wondering if the machine was speaking binary poetry or just channeling a spirit from Silicon Valley. In an unexpected turn, the LED display somehow projected clear holographic images—forgotten heroes, collective triumphs, and scenes of unity. It was a visual montage of the town's history, like a PowerPoint presentation from an alternate dimension. The crowd, caught between shock and awe, was thoroughly woven into the surrealism of the situation. As the last image faded, the machine let out a final, resolute beep. It retraced its path, rolling back to the gymnasium with a determination that made us question the sanity of inanimate objects. The crowd, stirred by this farcical journey, parted like the Red Sea, allowing the prodigal machine to return to its bureaucratic haven. The gymnasium doors swung open, and the machine, now a misunderstood hero, nestled back among its silent peers. Its power cord quickly drawn into the electrical socket as if by some sort of otherworldly magnetism. The LED display, now dimmed, left us with the lingering question of whether we had witnessed a technological revolution or just a glitch in the matrix. And so, the mundane task of voter registration, initially draped in the cloak of tedium, had become a revelatory journey, a testament to the unpredictable nature of democracy. Just as we were basking in the glow of our newfound civic spirit, the NSA swooped in like bureaucratic ninjas, herding voters out with the precision of synchronized swimmers. Tall Nordic looking beings wearing black surgical masks tie wrapped the machine to a forklift, and it vanished into a mysterious white van with the finesse of a magic trick. "Nothing to see here!" declared a guard with the confidence of a used car salesman. The van sped off, leaving us with more questions than a philosophy class on an acid trip. The voting process resumed, as if a cosmic remote control had pressed play. The town returned to its regularly scheduled programming, with the rogue machine becoming the unsung hero in the farcical tale of civic engagement. Too bad I couldn’t say the same of that rogue asteroid that would obliterate everything the next morning. Demolition democracy at it’s finest!
3.

about

Another take on a Sci-Fi story from the "Artificial Tales Of Gleep and Whimsy" collection.

Also, a silly story conceived while actually working for the Board of Elections this October, 2023.

And, but also, an ironic story of a chance meeting with director Wes Anderson via a stray basketball. Only in the multiverse!

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released October 2, 2023

JT : Words, Music, Programming, Editing
Cover : © 2023 Farben Fosfeen Artwerks

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John Tabacco Stony Brook, New York

John Tabacco is a composer, singer-songwriter, producer, recording engineer, and visual artist.

Like an unfolding musical diary / puzzle, Tabacco’s music and art are constantly being re-worked, juxtaposed and intertwined.

For more info : www.johntabacco.net
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